Encountering her Elvira again in Florence, eleven years after 2015, brought to the fore an extraordinary artistic evolution: both as an interpreter, who needs very little to convey an intention or an emotion, and as a peerless vocalist—technically the non plus ultra, the best one could possibly imagine for Bellini. To give just one example, the variations, evidently worked out with the conductor, were full of taste, so that their pyrotechnic effect went hand in hand with exquisite nuances of phrasing and accent, always rich, carefully considered and internalised before being projected towards the audience. Portrayals of “madness” can sometimes lack credibility; with Pratt, however, Elvira immediately acquires a tragic depth that is even true to life, lost in a seamless oscillation between fear, disappointment and madness.
I can’t believe this beautiful production is nearly over! Second last show tonight ❤️ 
Third show tonight of 
I PURITANI
To commemorate the anniversary of Vincenzo Bellini’s death, a beautiful Mass was celebrated in his honour this morning at Catania Cathedral, where his tomb lies. And tonight, we have the opening night of I Puritani here in Catania. Toi toi toi to everyone onstage and off! 💕
A few moments from last night’s concert at Villa Bellini with Teatro Massimo here in Catania. ❤️
Ci stiamo godendo Catania durante le prove de I Puritani… e, soprattutto, ci stiamo dedicando a un’approfondita e rigorosissima ricerca sulla granita siciliana! 😋 😍 
"From her stratospheric top notes and pristine coloraturas to her formidable lower register, Pratt’s performance is impeccable. It is far more than a question of technical mastery; it is her profound musicianship, evidenced by exquisite dynamic shading; her command of intricate, sustained vocal line; and her embodiment of the characters she performs."
Two shows... come and celebrate with us 🎉
A little team Bondi-ng after rehearsal.
Some photos from our performance of Vincenzo Bellini’s Norma this weekend Държавна Опера Варна Thank you to my wonderful colleagues and friends for a great evening ❤️
La regina della serata, non soltanto della notte, è Jessica Pratt. Quasi dispiace che Mozart riservi alla perfida Astrifiammante solamente due arie e poche battute nel finale secondo, perché il soprano canta magnificamente e incarna alla perfezione la regalità maligna del personaggio. Pur avendo consuetudine con le eroine tragiche del belcanto, Pratt affronta con naturalezza il tedesco e il Singspiel mozartiano. I recitativi sono scanditi con voce ampia e penetrante, mentre le arie colpiscono come lame nella grande sala viennese. È soprattutto nella celeberrima “Der Hölle Rache kocht in meinem Herzen”, nel secondo atto, che Pratt offre il meglio di sé tra colorature e sovracuti perfetti per intonazione e luminosità (nonostante i tempi serrati staccati in buca), che fanno della prova un trionfo virtuosistico. Colpisce anche la finezza interpretativa dell’accento sull’ultimo sovracuto, prima di riprendere la linea del canto. Entrambe le arie vengono salutate da vere e proprie acclamazioni trionfali. Meritatissime.
Jessica Pratt confirms herself as one of the greatest Queens of the Night of our time. Her coloratura is of almost unreal precision, the high notes flawlessly placed, brilliant, and never merely athletic. Most striking of all, however, is her ability to transform two arias so often reduced to mere vocal showpieces into genuine moments of musical theatre. “O zittre nicht” becomes the restrained lament of a wounded sovereign rather than that of a desperate mother, while “Der Hölle Rache” erupts with astonishing icy authority and regal fury.
Likewise, the highly acclaimed bel canto soprano Jessica Pratt, as the Queen of the Night, ignited fireworks of rare brilliance.
An exciting debut awaits in 2027! It marks the beginning of a journey through Donizetti’s three iconic Tudor operas, which we’ll bring to life over the coming years with the wonderful Teatro del Maggio Michele Spotti 
Opening night tonight in Vienna!
Thank you to everyone for all the lovely birthday wishes ❤️❤️❤️🩷🩷🩷
2027 marks the 20th anniversary of my operatic debut as Lucia in Lucia di Lammermoor. Over the past two decades, the role has been a constant companion, with an average of at least two productions every year.
The lights went out when the first act of the new production of Mozart's Die Entführung aus dem Serail was not even an hour old. Perhaps it had been the extraordinary, sad beauty of Jessica Pratt's “Ach ich liebte” that overwhelmed the notoriously sensitive French grid. And then, miraculously, when it was turned back on, her “Martern aller Arten” lit up the sky. Blazing, pure, profoundly expressive and topped by a cadenza that landed like a revelation. The grid held. There are evenings when a single aria justifies the existence of opera as an art form, the Théâtre des Champs-Élysées as a building and Paris as a city. This was one of them.
Riccardo has arrived in Paris! 🎉🎉🎉🎉🎉❤️❤️❤️❤️❤️💃💃💃💃💃
Contacts
General Management
Alessandro Ariosi
Phone: +41.916495331
Press and Public Relations
Fidelio Artists
Phone: +34.616760866
Discography
Tancredi Records
Email: info@tancredi.srl
Drama + Coloratura
...as Pratt's Lucia descended into the delusional,Sydney Morning Herald
her technique ascended into the vocal stratosphere...
[Jessica Pratt] has developed [...] a technique that allows her to claim her spot among the heirs of Maria Callas.Forum Opera
The frenzied ovation on opening night had an intensity which brought back memories of La Stupenda.Stage Wispers
Pratt embodied the stupendous beauty of voice that places her as a leader in her art and gives the 21st century a new bel canto star.Opera Chaser
...This is Usain Bolt in the Olympic final.Daily Review
Cristiano Ronaldo at the World Cup.
The greatest athlete on the biggest stage...
Jessica Pratt could bring the house down in her sleepLimelight Magazine
This was singing that wasn’t just haunting: it was spellbinding.Limelight
The performance is really magnificent for technical skill and elegance in the phrasingNel fiero anelito
...[she] chiseled with great precision the entrance cavatina...Operaclick
her agility and extreme high notes are effortless and fluid, in a few words she is a perfect belcantistaIl Giornale della Musica
In the final sequence, as the guests stand dumbstruck, so too was the house, in which you could have heard a proverbial pin drop.Man in Chair
Jessica Pratt portrayed a Desdemona with crystal clean singingara.cat
...as soon as the ghost of the Ravenswood victim is evoked, we where stolen into an shivering interpretation.Operaphile
It’s a full and rounded soprano and undeniably impressive.Operatraveller
¡Y qué gran protagonista fue Jessica Pratt!Platea Magazine
Australian soprano Jessica Pratt’s Queen of the Night was an audience favorite...Stage and Cinema
Intense (and in the appropriate moments) at times transfigured was the interpretation of Jessica Pratt, who was able to seamlessly switch from drama to comedy and viceversaLa Platea
Borkowski and Pratt share much in common: their fathers’ influence on their lives and a deep appreciation for jazz. What is left to be seen is the magic they will weave on stage, coming together for the first time.The Hindu
[Jessica Pratt] depicted a very special character, highlighting her excellent line of singing and acting, very refined and fun, as well as a phrasing and a vocal registry with dream-like top notes...Opera Actual
...the soprano Jessica Pratt was absolutely admirable in the role of Elvira...JFB
Her performance was impeccable, high notes reached with ease, her tone bright, legatos without equal.Bachtrack
The singing was flawless, with hints of June Anderson and–wait for it–Joan Sutherland, in her pinpoint accuracy...Classics Today
Her performance was impeccable in every way, worthy of an accomplished belcantistOperaworld.es
How is it even possible to modulate the sound in such a grandiose way and with such sweet expressiveness?Beckmesser
This is a highly memorable performance to be treasured, talked about, and boasted over for having seen.Simon Parris
Jessica Pratt knocked out a dazzling rendition of the treacherously difficult “Queen of the Night” aria...Epoch Times
The balance and the deceptive ease with which Jessica Pratt sings had the whole theater stand up in front of this marvel of a voice.OperaWorld
Pratt’s performance was a tour-de-force of vocal polish, broaching stratospheric heights with never a hint of harshness or strain.Sydney Morning Herald
a singer gifted with a remarkable vocal techniqueLa voce d'Italia
Jessica Pratt exceeds her reputation as the Lucia of the momentTheaterkrant
virtuosity becoming the vector of expression and not the objective to be attained.Forumopera
A performance simply difficult to improve.Ópera Actual
Spectacular in the coloratura, with ornaments in the best tradition of bel canto and well projected top notes, Jessica Pratt triumphed as Adina...El Pais
A vocal mastery worth of the greatest...Concerto Net
When the empathy from chorus and orchestra support the passion of the soloist, the spell of the show raises to intoxicating heights.Helsingin Sanomat
Her staccati, just slightly marked are something to kneel for. Light as a feather and unfailingly precise. Rossini’s mastery has found in her the ultimate performer.Revier Passagen
exquisita sensibilidad y luce en las frases más brillantes extensión y poder sin límites.La Provincia
She must from now on be the go-to person for this role.City News
Towards the end, bel canto gives way to drama and leaves us with a performance to remember.Backtrack
...audiences are blessed with the other-worldly voice of Jessica PrattCity Hub
She is the current go to for this role back at the Met, and she certainly showed why.
That Pratt sings Mozart or sings Donizetti, the result is always the same: the audience is literally deliriousFoggiaZon
Exquisite! There was no other word for it.Stage Whispers
The new Queen of the Night, Jessica Pratt, likewise started carefully but made it count when it mattered, in her raging act two ariaThe Guardian
Her singing was an intoxication of love/hate and spell/torment.Beckmesser
As the mad Lucia, Pratt is insanely good.Altmedia
Admirable and adorable in the vocal and stage play, she debuted here her reading of Marie with another acclamatory success.La Provincia
The tragic, yet musically glorious Mad scene was of course the highlight. Just sensational.J-Wire
Jessica Pratt has a crystal clear and sublime voiceCorriere della Sera
Exemplary Jessica Pratt in one of her specialties.Platea Magazine
A unique singer in a class of her own, Pratt has an important voice and remarkable acting skills; consequently hers was a real undisputed triumph.Il corriere musicale
Jessica Pratt acquitted herself admirably as the Queen of the Night, flashing accurate, rapid coloratura in her two signature arias and cutting an imposing figure onstage.New York Classical Review
The world-famous singer spoiled the audience with her voice, her coloratura, the precise top notes and the wonderful singing power.Das Opernmagazine
Jessica Pratt was the vindictive Queen of the Night, projecting intense fury as she tossed off crystalline high notes with ease.Classical Source
As always sumptuous high notes (and sovra acuti) that guarantee triumphal stadium ovationsproslambanomenos
one does not know which to admire more, the precision of her performance or the warmth of her interpretation. This while displaying an always flawless, extraordinary mastery of her instrumentla Repubblica
An indomitable Lucia di Lammermoor with Jessica Pratt's voice shines in Les ArtsEuropa Pres
Upcoming
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OPERALa TraviataGiuseppe Verdi17–26 OctABAOBilbao, Spain
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OPERAI Capuleti e i MontecchiVincenzo Bellini20–27 NovTeatro Carlo FeliceGenova, Italy
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OPERALes contes d'HoffmannJacques Offenbach20 Dec 2026–2 Jan 2027Maggio Musicale FiorentinoFlorence, Italy